Friday, March 21, 2008

Pete Seeger: Power of Song

I went to see the Pete Seeger documentary, Pete Seeger: Power of Song. After the film, there was a discussion and singalong. Pete’s greatness is his ability to inspire and unify. He doesn’t even need to be there to do it – his magic shone at us from the film. During the discussion, one of the panelists commented that Pete was such a great songleader that he noticed while the film was running that people were singing along. I was one of them. During the film, I felt like singing, applauding, giving a standing ovation, and changing the world. The standing ovation was not to the film but to Pete, though the film must have been good if it allowed Pete’s magic to shine through. Seeing Pete live has had all the same effects on me. Perhaps because he is already imprinted on me, it only takes small reminders to bring back what he means.

Why would I pay $15 to see a film that I intend to buy on DVD anyway? Because Pete Seeger is about community. Because being part of an audience, and having the panelists there were so much a part of the experience. Pete talks in the film about spreading seeds. The dozens of people who were in the audience at the film, and the thousands of people I see at the Clearwater festival, are all his seeds. There’s a sense that we all share the same dreams and values, and that we got those dreams and values from him. In my every-day life, I’m often around people whose values are at odds with mine, and I’m often working to achieve things that don’t really mean a whole lot. It’s good to have the Pete Seeger experience to remind my of what I believe in and remind me that there are others who share my values, to make me feel like I’m part of a movement instead of feeling like some inconsequential oddball.

A few other notes about the event:
  • During the discussion, one of the audience members spoke about using music for peace-making, in which case, music is a "weapon of mass construction."
  • Arlo Guthrie was funny in the film.
  • In the discussion, the director, Jim Brown, talked about how Pete always preferred to have the audience participate, rather than to sing alone while others listened, and in making the film, he presented it that way. In some cases, when recordings just pick up the what’s sung at the mic, the film would supplement it by creating a recording of people singing as the audience would have been singing. Also, the film includes other musicians, such as Woody Guthrie, Paul Robeson, and Elizabeth Cotten.
  • Jim Brown said that Pete didn’t want the film to be all about singing his praises, so at Pete’s urging, Jim went around asking everyone, "Do you know anyone who hates Pete Seeger?"
  • One of the panelists was Ed Renehan, a historian. Pete asked him back in the 70’s to help him with an album about Hudson River music. Ed obliged by collecting research on Hudson River songs. He brought it to Pete’s house, and Pete said, "Where’s your guitar?" To Ed’s surprise, Ed was going to play on the album. Also to Ed’s surprise, he was given equal billing with Pete on the album. This story was much funnier when Ed told it. He is a good storyteller.
  • Clearwater director Jeff Rumpf said Pete believes in experiential education, whether it’s singing with the kids, or taking them out on the Clearwater to learn about the environment.
  • Jeff also said that after reading Pete Seeger’s biography, Jeff’s teenage son decided to start the Say Something Cafe, and now the cafe has standing room only, and is a place where teenagers feel they can express themselves.
  • As at many folk events, most of the audience had gray or white hair. The first question was from one such person, who asked how we can bring back the spirit of the 60’s, and who commented that today’s music doesn’t move him as much as the music of that era did. Jeff’s story about the Say Something Cafe was a response to that question. My thought in response to the question was too undiplomatic to share. It was "Just because you don’t like the music of today’s youth doesn’t mean that they don’t have it." Many hours later, I formulated a more positive reply: Today we have many young folk bands such as The Mammals, The Duhks, Crooked Still, Uncle Earl, Ollabelle, The Greencards, The Cottars, The Wailin’ Jennies, and Red Molly, and these bands have many fans of their own generation. I found that the slide show on Kristin Andreassen’s myspace page showed something of what a baby boomer might call the spirit of the 60’s, although today’s young people might call it the spirit of today.
  • There was to be the film, then the discussion, then the singalong. Before the discussion was over, it was past my bedtime and I wanted to go home. The presenters wrapped up the discussion and talked amongst themselves (away from the mics) about what to play. I was sitting in front so I could hear parts of the conversation. Ed said, "Good Night Irene," and Artie replied, "We’ll do a few songs." That made sense, because everyone knows "Good Night Irene" is always done as the last song. That’s what I like about being in the folk community. I know the stuff that everyone knows. Most of the time I’m out in the mainstream world, and I have no idea what’s going on.
  • Before "Good Night Irene," they had us do first "Kisses Sweeter than Wine" and "If I Had a Hammer." The song leader for "If I Had a Hammer did not know the words as well as the audience did. We indulged him by singing the "bell" verse twice because he forgot the "song" verse.
  • In the film, there was a story of how Pete would neglect household chores to show a banjo lick to someone who just happened to stop by. Two of the panelists told similar stories. This tendency to neglect chores was frustrating for Pete’s wife. What we forget is that people who have a gift to inspire are still people, and are not perfect in all respects. There’s a tendency for people to be appalled when religious or political leaders turn out to be fallible. I think that we should just appreciate the gifts that people have, while understanding that we are all just people, and that just because someone has a particular gift does not mean they should be expected to be perfect in all respects.

Sunday, March 16, 2008

Playlist, 5-6pm fill-in, March 16, 2008

Song | Performer | Album
Longships | Smithfield Fair | 20 for 20
Nine Stone Rig | Back of the Moon | Luminosity
Pull the Anchor | The McDades | Bloom
Haul Away Joe | The Muses | Passing Time
Wash the Road | The Muses | Live!
Northwest Passage | Stan Rogers | Northwest Passage
The Mary Ellen Carter | Stan Rogers | Between the Breaks…Live!
The Stoutest Lad in the Forty-Twa | Hank Cramer | Caledonia
The Bonnie Ship, The Diamond | Hank Cramer | Caledonia
Bonnie Hielan’ Laddie | Hank Cramer | Caledonia
Aargh! | Woods Tea Company | Woods Tea Company - Live
Alberta Bound | Woods Tea Company | Woods Tea Company – Live
Lonesome Traveller | Woods Tea Company | Standing Room Only
Muddy Water | Schooner Fare | Signs of Home
All Coming Together | Schooner Fare | Signs of Home
Rolling Home | Schooner Fare | Signs of Home

Friday, March 14, 2008

Some nueva canción artists

Besides English-language folk, another genre I like is nueva canción. If you are interested in nueva canción, listen to Mario’s show Vientos del Pueblo on WRPI 2-5pm on Sundays, or check out these artists:
  • Guardabarranco
  • Illapu
  • Inti-Illimani
  • Victor Jara
  • Violeta Parra
  • Quilapayun
  • Silvio Rodrigez
  • Mercedes Sosa

Friday, March 7, 2008

February 2008 Best CDs

Of the CDs that came into the station in February 2008, my favrote was Our Story by D.C. Anderson. This is a humorous album by a singer known for his performances in Phantom of the Opera.

Monday, March 3, 2008

January 2008 Best CDs

Of the CD's that arrived in the station in January 2008, my favorites were:
  • Cramer, Hank. Caledonia.
    Good Scottish fare. Sea chanteys and the like.
  • Kennedys, The. Better Dreams.
    I think there's some strong instrumental work on this album. The final track, Pacé, is especially interesting. It's an ambient instrumental piece, full of wildness.
  • Oasis Acoustic, Volume VII, Number 16.
  • Paxton, Tom. Comedians and Angels.
    Tom Paxton is classic. Of course his CD's will always make the best of the month lists. He has been around for decades, and he still keeps putting out good stuff. He writes in the liner notes that this is an album of love songs, and that he has a broader definition of love than he used to. Most of the songs are about his love for his wife. They are my preferred type of love song: love songs about long-lasting loves. There's also a song honoring generations of activists, and a song about his love for his adult daughters.
  • Ulisse, Donna. When I Look Back.
    This one crept up on me. I thought it would not be very good and that I'd be able to dispense with it quickly. I liked the first song I listened to, but I thought that was just because it resonated with where I'm at in my life right now. But then I listened to more and more songs and kept thinking, "This one is pretty good too." During one song, I thought, "I like what they're doing with the bass." The bass line was very simple, and yet somehow it really added something to the song. Somehow, the vocals, instruments, and lyrics on this album just worked for me more than I expected at first listen.

And honorable mentions go to:

  • Cowboy Junkies. Trinity Revisited.
  • Newcomer, Carrie. The Geography of Light.
  • Nicholson, Elizabeth, and Stringed Migration. Fly Not Yet.
  • Schmidt, Danny. Little Grey Sheep.
    Somehow the specific songs didn't do that much for me, but I felt he had a good voice, good instruments, good harmony vocals, and good songwriting. Also interesting pictures in the CD case.
  • Seeger, Peggy. Bring Me Home.
    Her music has never been quite my style, but it's good in its way. She wrote in the liner notes about how the songs on this album are songs that she sang as a kid with her family and that have been with her all her life. She wrote, "Like people, they may change shape and sometimes meaning. Unlike people, they are always there." That resonated with me. In these times of often unsatisfying humans, I find solace in the music that is always there for me. She also wrote, "Home, music, family: the blessed triangle of my life." That resonated with me too, at least the music and family part. I'm not really rooted in a home place at this point in my life.
  • Taylor, Otis. Recapturing the Banjo.